291 of 1001 Movies: Fanny and Alexander (1983)

I was unsure of what I would be embarking on when I rented Fanny and Alexander from Swedish director, Ingmar Bergman. This autobiographical tale gives us the view of an adult world, mostly through the eyes of a child, and it's disturbing to say in the least what the experience is. It appears to be almost eventless on the service, but the deeper layers of mental abuse are frightening.

Summary: Fanny and Alexander's family is close, and it is captured by opening with a scene of the family at Christmas. Fun is of most importance when they are together, but apart much of the family is having their own struggles. Whether is finance, promiscuity, or working too hard everyone is going through something. After Fanny and Alexander's father dies they are spurred into a completely opposite direction. Their mother is taken away from the theater she works for, and marries a priest who is overbearing and imposing. The children's life is also drastically changed, and it seems almost unimaginable to them all how much this will affect them.

The film is intriguing because it combines different elements of what people experienced in their lives, including the actors to make a film that is telling many tales, but what takes the forefront is the one about Fanny and Alexander.

I thought everyone did good in their portrayals of their roles. No one had to over express to make you feel what they were feeling, even the kids. The movie seems lighthearted at first with serious undertones. I do wonder about the other dynamic in the families we didn't seem to return to like the one uncle in financial troubles with the theater company? I felt everyone's story and voice was given proper attention though.

This movie in it's own way has a timeless quality too. The shots and color are vivid, yet the pale tones keep it only settled to the time it's based in. It doesn't feel like you're watching an 80's movie.

The story becomes more surreal as the story moves on, and I think this also depicts the child mind of Alexander well, and how he is perceiving these serious issues. You ask about the reality of the ghosts he sees, and you wonder about the encounter he had with Ismael more in an adult way than how maybe his imagination was taking it in?

Fanny and Alexander is an arthouse movie, and if you're a lover of those movies then this is one to watch. The story is a hard one to forget, and you can't help but question the lines of right and wrong with this one.

283 of 1001 Movies: El Norte (1983)

If there were two movies that relate to what is going on in America right now that I would recommend watching, one would be Spike Lee's Do the Right Thing, and the other would be El Norte. I was surprised by how much the movie did move me. The movie explores a lot of things that many people may not be aware of regarding who immigrants are, the lives they come from, and even how they live once arriving to the U.S.

Summary: Enrique and Rosa's village in Guatemala is ravaged in the Guatemalan Civil War. The only way to continue to survive, and attempt to make a better live for themselves is to head north, where they have heard much about the wealthy livelihood many have claimed to find there. After the struggles to get there, including attempted robbery and having to go through the dirtiest and darkest place to the border, they find that the U.S. is as they hoped...for at least a couple of weeks or so that is. They both begin to quickly learn the threat of deportation and how easy it is to be taken advantage of with all the fear and courage it took to get here.

 The movie is intriguing because the director, Gregory Nava, grew up near the border in California. He had many relatives that did live in Mexico across the border, that he would go to visit. It's intriguing that he's used his experience and time growing up as a citizen who is Hispanic in a way to create such a complex and moving movie. I also was unaware that PBS sometimes financed movies, which they partly did with this one. The movie would be nominated for an Oscar that involved the screenplay, which was much deserved.

There were a few scenes that really stood out to me. One was the scene where Enrique is offered a job that could potentially offer him a better life and pay in Chicago. What he thinks as an act of kindness though he mistakes for essentially what seems to be the American way. In the scene he's very excited and overwhelmed with the prospect, while the lady who is offering it is cold and finds him replaceable if he declines. To take the job he would have to also leave his sister, Rosa. The family unit is something that Enrique highly values, but to get by he will have to leave her.

I won't give away the ending, but the ending is also very memorable, and one to leave you speechless. I have to say that if you get the chance to view it with someone that the ending is definitely one worth discussing and exploring, and it goes from a tale that seems to be one that can be taken at face value, to one that drops over into fantasy, but dark fantasy.

I can warn that this movie isn't light viewing. It sits heavy after you've seen it, especially after you pick up on what is implied happened to one of the characters. If you still have the same views regarding immigrants after viewing this, well then I don't know what to say. It's insightful, well acted, and the story is well done. I viewed this movie alone, which I think was best as there is a lot to take in, and it's easier for me to follow, especially with a movie as serious as this.

228 of 1001 Movies: A Christmas Story (1983)

I'm just going to go ahead and get it off my chest, but I don't get the huge love of A Christmas Story. I understand I'm in the vast minority. A lot find the movie endearing and funny. For some reason I just relate more to the antics in National Lampoon's Christmas Vacation than this movie though. I also found some of the overacting very confusing to the vibe of the movie. There is an edited version of the movie that is more toned down for families who want to watch this with younger children, but the original with the original bad language seems like it would have been more hilarious to watch as the edited language just makes the movie more childlike even though it doesn't have a child movie vibe.

Summary: Ralphie has set his sights on one thing for Christmas, a Red Ryder B.B. Gun. His requests to receive it for Christmas though have been met with discouragement. Everyone from his mom to even Santa Clause have warned that it might take out one of his eyes. Ralphie is determined though, and even sets out to write a paper at school about it to make his voice heard. When it comes Christmas day though will he wake up to find the one thing he wanted?

412 of 1001 Albums: Hanoi Rocks' Back to Mystery City

Hanoi Rocks' fun sound was something much needed. All these albums just sound so serious! It doesn't really surprise me though that the critical reviews are everywhere for this album. Some don't like all the guitar riffs or added in sounds, but I felt like the livened the album for a time when it's easy for rock for rock to blend. This just embodies something the 80's that I really like, even the crazy style on the cover art of the two musicians.

History: This album had a lot of outside involvement from people who had already made themselves music classics. Dale Griffin and Overend Watts who used to be members of Mott the Hoople were involved in producing and Miriam Stockley sung as backing vocals after previously performing music with Pink Floyd. The other cool thing is that the band is open about the history of the songs. The band members weren't always in agreement with what they wrote and released either. Monroe hugely disliked "Lick Summer Love" because of the strong sexual content. Michael Monroe got to include some of his own writing though like in "Mental Beat" that is about himself as a wild child.

94 of 1001 Movies: The Big Chill (1983)

The Big Chill is probably one of the most different movies you'll watch, and at first you may not even be able to point at while. It isn't until maybe a day after or even a few days after you even realize you liked it more than you thought. The Big Chill is quiet, and may even feel slow at times, but the way the director, Lawrence Kasdan, weaves you into the story with the characters in a subtle way is really brilliant. You find yourself very involved at times, and laugh at things that would only be funny in between the characters had the director not did a great job of making you just as apart of their close knit friendship.

After their friend, Alex, commits suicide, seven college friends are reunited once again under one roof as they grieve their loss, and pick up where they left off before they went their separate ways. More than just coping with their loss happens while together though as old love is revived, and disgruntled feelings that others left with make themselves again known. Moving on from college has changed them though, and new wants and hopes are being remembered after the loss of a friend reminds them how vital it is to not miss the opportunities given.